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SUMMARY:Alejandro Escovedo &amp\; The Electric Saints
DTSTART:20261113T000000Z
DTEND:20261113T030000Z
DTSTAMP:20260818T213025Z
UID:event-363@paradisecitymusic
DESCRIPTION:Alejandro Escovedo&apos\;s New Album ECHO DANCING is an Advent
 ure in LifeNo one has really ever been able to define themselves and their
  music like singer-songwriter Alejandro Escovedo does. His life in music o
 f all kinds sometimes feels like a swirl through the sky\, where his songs
  point out all the majesty and mystery of how he sees the world. The sound
 s he makes take him places that he might not even predict\, but once there
 \, greatness always follows. It&apos\;s just the way Escovedo is. It has h
 appened over and over for decades\, almost like a fateful agreement he has
  with the cosmos. There is a good chance it cannot be explained\, especial
 ly by him.Maybe that&apos\;s because this is a musician who feels magic\, 
 both in himself and the world around him\, and is open to the experience o
 f whatever comes his way. It is not always easy\, and can have a high dema
 nd on how a person lives. But it is the way that Escovedo is always moving
  forward.On this new album\, Alejandro Escovedo has taken a road rarely tr
 aveled\, which is totally in keeping with how he has lived his life in mus
 ic. Echo Dancing is an experiment in how to use the past to shape the futu
 re. By recording completely new and repurposed versions of songs from his 
 past\, Escovedo actually gets a chance to rewrite his own history. It&apos
 \;s also an idea that pushes growth into the present\, and asks an artist 
 to see themselves anew. &quot\;I always feel that a well-written song can 
 withstand a lot of abuse\,&quot\; Escovedo says. It is an area of creativi
 ty that the man has always honored. &quot\;Turning a past song inside out 
 leads to discovery of new ideas you might not have understood about the so
 ng\,&quot\; he says. &quot\;Even lyrical refurbishing has proven helpful a
 nd effective. It&apos\;s like interpreting your own work anew. The songs n
 ever seem to be complete. They are always evolving.&quot\;And with those w
 ords\, Alejandro Escovedo succinctly explains the new levels of artistic e
 xploration he&apos\;s undertaken on his new album. It&apos\;s a unique adv
 enture into recording new versions of songs from his past\, and approachin
 g them as challenges to totally express what the music means to him today.
  Songs like &quot\;Bury Me&quot\; and &quot\;Castañuelas\,&quot\; while t
 hey were powerful in their original form several years ago\, now announce 
 themselves as highlights of Escovedo&apos\;s long career. They speak to an
  eternal world that lives inside so much of his music\, like it was formed
  in a way that cannot age. There is something very permanent in the career
  of the Texas-born artist\, an inner flame that is always there. It feels 
 like it is a part of musical history that is rarely captured at such peak 
 performance\, let alone reappears with a new life. If the life of an artis
 t is always to push ahead\, to leave what was done alone in favor of conte
 mporary creations\, then Escovedo&apos\;s basic concept of Echo Dancing is
  a revolutionary concept of high beliefs. That the past can live again as 
 a reborn entity.&quot\;I was planning this record just prior to boarding a
  plane to Italy to record with Don Antonio and Nicola Peruch\,&quot\; Esco
 vedo says. &quot\;My original idea was to record an album of new material.
  But then I changed my mind and thought that revisiting songs from my vari
 ous past albums throughout my career would be more interesting. I have a g
 reat faith in these two artists to always create something interesting wit
 h whatever I might bring to the session. These songs were already dressed 
 for the dance.&quot\;Everything on Echo Dancing has a feeling of absolute 
 freshness about it\, and at the same time\, there is a strong link to the 
 past. It&apos\;s almost like reincarnation in the recording studio\, but e
 verything seems brand new. All the musicians are dedicated to finding the 
 new amongst the songs&apos\; prior history. It is not something that happe
 ns often\, and it surely has never occurred quite like it does on this fas
 cinating new collection.Alejandro Escovedo knew that an experience like th
 e one he was embarking on needed all the freshness he could find\, and off
  he went to Italy. Sometimes there are now choices in how to approach a ne
 w vision. It simply has to be started with total dedication. &quot\;I find
  that recording in a foreign country opens the creative eye in a way that 
 working at home lacks\,&quot\; he says. And the way the experiment works w
 as proof that today&apos\;s approach to these songs has a rock-solid beaut
 y to it. A new sonic world has opened. &quot\;Surprises were a daily occur
 ance\,&quot\; the musician says\, &quot\;and we embraced them with exubera
 nce. Is it the beginning or the end? I feel there have always been certain
  songs on my albums that have guided me to new approaches in my music. Tha
 t is really the goal of recording. To keep moving forward no matter what i
 t takes. That&apos\;s why I continue to work on new ways to tell these sto
 ries.&quot\;Truer words were never spoken than Alejandro Escovedo&apos\;s 
 love for exploration in the music he writes and plays. The son of a Mexica
 n immigrant and a Texas native\, the sounds that Escovedo first discovered
  and then performed morphed into all kinds of exciting styles of his life.
  A member of the first-wave punk rock group The Nuns in San Francisco\, he
  moved to New York and joined the Judy Nylon band and experienced the tota
 l electricity of the late 1970s there. Moving then to Austin was a radical
  shift of geography and musical style when Escovedo helped form one of the
  country&apos\;s first so-called Cowpunk adventurers. It often seems like 
 the man has been on a pirate-like adventure through the kinds of music he 
 is drawn to. Those sounds are usually new and often have a strong edge of 
 the avant-garde in them. Deeply embedded in the burgeoning Austin scene in
  the 1980s\, Escovedo was a prime architect in the new band True Believers
 \, which included his brother Javier and Jon Dee Graham. In many ways the 
 band helped build the gateway to the whole burgeoning Americana music scen
 e which prospers to this day\, but it was also the turning point for Aleja
 ndro Escovedo to take his life in his control and record solo albums. In t
 he thirty-plus years since that decision has come a wild roller-coaster ri
 de of groups\, spinoffs\, tribute albums and even original dramatic projec
 ts and experiments. In 1998\, No Depression Magazine named him Artist of t
 he Decade. For this musician\, though\, that was just the start of a life 
 that twists and turns wherever Escovedo&apos\;s clearly uninhibited imagin
 ation takes him.The 21st century has been a time of widely successful excu
 rsions that only a few American musicians are able to create. Between adve
 nturous solo albums\, continuing collaborations with other musicians\, and
  an ever-growing sense of boundary-breaking\, Alejandro Escovedo has creat
 ed his own definition of what a modern rock artist can accomplish. Which i
 s exactly why Echo Dancing comes at the perfect time for this man. While i
 t does seem Escovedo has his own category of accomplishments\, to now brin
 g together these songs he has previously recorded and inject such exciting
  new and different life into them is a complete exoneration of his belief 
 in the future.&quot\;I said goodbye to certain phases of my life as I have
  grown\,&quot\; the musician says. &quot\;I greeted new acquaintances musi
 cally. And I was extremely surprised by the outcome. That is the thrill of
  being alive. I feel we have now made a beautiful collection of songs reco
 rded in an effortless vibe of collaboration and camaraderie. I can&apos\;t
  give Nicola and Antonio enough credit and thanks for their musicianship a
 nd wide-open approach to making this album. And I should also mention Ivan
 o Giovedi\, who incredibly engineered the recordings. He did an amazing jo
 b.&quot\;&quot\;Everyone involved has guided me to new approaches to my mu
 sic\, like other musicians have my whole life. I have always worked hard t
 o discover new ways to tell the story. I&apos\;ve never hidden my love for
  Brian Eno\, Roxy Music\, Judy Nylon\, Cluster\, along with the Stooges\, 
 New York Dolls\, MC5\, Roky Erickson\, Lightnin&apos\; Hopkins\, Joe Ely\,
  Terry Allen\; you get the picture. There is always more work to be done a
 nd joy to be made. I am nowhere near finished.&quot\;Echo Dancing makes su
 re Alejandro Escovedo&apos\;s evolving circle remains unbroken.\nTickets: 
 https://ironhorse.org/shows\nFull listing: https://www.paradisecitymusic.o
 rg/show/363
LOCATION:Iron Horse Music Hall\, 18 Center St.\, Northampton\, MA
URL:https://www.paradisecitymusic.org/show/363
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